CALL US (02) 9635 5552
CALL US (02) 9635 5552
Solid State Logic Console Consoles Summing Mixer 500 Series | Sound Devices Parramatta Sydney
Nucleus re-defines the professional project studio with a perfect blend of advanced DAW control, transparent SuperAnalogue™ monitoring, high class analogue mic pres, pro quality USB audio interface and bundled SSL Duende Native plug-ins. There is no other product available which offers the professional producer/engineer all these elements, with benchmark audio performance and elegant ergonomics. Not only is it unique but Nucleus is also outstanding value; these elements bought separately would cost more and deliver a less elegant solution.
Nucleus is a compact, portable desktop unit that creates a comfortable, efficient, hands on ...
What is Matrix? In a sentence, Matrix is a SuperAnalogue™ 16 channel, 40 input mixing console with inbuilt signal router and multi-layer digital workstation control. In use it’s simply the most elegant way to be creative with your entire arsenal of analogue outboard and cutting-edge digital equipment.
Designed to be at the heart of your every day creative process, Matrix is built to meticulous SSL hardware standards, to withstand even the most intensive studio use. Fully equipped to partner your monitors, workstations and outboard gear, Matrix lets you shape your project studio around the way you work.
Using identical circuit design and manufacturing to our Duality and AWS 900+ consoles, X-Rack is a modular rack system with Total Recall™ that delivers the classic SSL sound in a uniquely versatile form. Each X-Rack chassis holds up to eight modules in any configuration and there are eight different modules on offer.
You could build a stunning SuperAnalogue™ front end for your recording system, with two different flavours of mic pre (SuperAnalogue™ and VHD), EQ, transparent dynamics and a powerful master section. Or create an SSL summing mixer with an ultra-pure analogue mix buss, using ...
Angelically pure and versatile input section with a choice of three separate input amplifiers; Mic amp, front panel Instrument input or Line input. Designed for transparency and versatility with a set of High and Low Pass Filters, phase reverse and everything you need from a very classy workhorse.
Classic SSL four-band parametric EQ that is a superb all round frequency adjustment tool kit. Whether you need pinpoint accuracy for surgical problem solving, smoother broader sound shaping or a little more aggressive character the SSL EQ will give you what you need. This is a fully featured EQ with high- and low-bands switchable between shelving or fixed Q bell curves and two mid-bands each with variable Q control.
Designed to be the perfect level control tool kit for recording, the Dynamics Module is densely packed with control features yet simple to use. The combination of separate Compressor and Gate/Expander section is powerful, graceful and ideal for gentle and unobtrusive level control.
The centre section compressor from the 1980’s G-Series analogue console is an audio production legend. It is a simple unit with a simple purpose; it makes complete mixes sound bigger, with more power, punch and drive. It brings cohesion and strength to your mix without compromising clarity. The Stereo Bus Compressor Module brings this classic ‘audio glue’ to you with spectacular SuperAnalogue™ audio performance.
The vital component that turns X-Rack from a processing solution into a mixer. The Master Bus Module provides a signal path to the two X-Rack stereo buses for all of the other modules and offers the user a compact console master section that is surprisingly sophisticated for its size.
The perfect alternative to the Eight Input module provides four inputs each with features suited to the tracking process or combining line level sources into a final mix. Each input features, Pan & Level controls, Solo, Insert connection and routing to either the Record or Main Stereo Bus.
The essential module for creating a SuperAnalogue™ summing mixer, this module is designed for situations where the aim is high channel counts, particularly bringing large numbers of audio channels out of a DAW and onto an analogue mix bus to assure the depth and space that only summing outside of the box in the analogue domain can achieve.
