The Chandler Limited TG2 is a recreation of the rare EMI TG12428 pre amp used in EMI/Abbey Road recording and mastering consoles used in the late 60's and early 70's. The sound was used on many famous recordings done at Abbey Road including The Beatles \"Abbey Road\" and Pink Floyd's \"Dark Side of the Moon\" and its amplifiers used in many EMI circuits of the time. Our version was remade from the original design notes and circuit board drawings as provided by Abbey Road and EMI to ensure extreme authenticity!
The Focusrite Heritage Sound – in a complete channel strip
Focusrite’s ISA range is based around the original ‘no compromise’ designs that recording console design legend Rupert Neve built for Sir George Martin back in the mid-1980s, and every unit delivers the sought-after Focusrite Heritage Sound that lies behind thousands of top class recordings made over the intervening years in the world’s leading studios. With the ISA Range, you can put that sound at the heart of your own work – and the ISA 430 Mk II is the most sophisticated of them all: a complete ...
One unit in stock now with a FREE UAD-2 Satellite Quad Thunderbolt included!
Universal Audio 4710-D
Four Channels of Tone-Blending Preamps and 1176-Style Compression with Built-In A/D Converters
The Universal Audio 4-710d is a boutique quality, four-channel microphone/line preamplifier with unique tube and solid-state tone blending capabilities — perfect for a wide range of microphone and instrument sources. This versatile multi-channel preamp offers selectable 1176-style compression circuitry on each channel, plus four additional line inputs feeding eight channels of pristine analog-to-digital conversion. Building upon UA's classic analog design approach, combined with smart modern features, the 4-710d is the most flexible preamp in the UA lineup.
The LA-610 MkII combines an all-tube, vintage mic preamp design — heard on classic albums ranging from The Beach Boys’ Pet Sounds to Van Halen I — with authentic Teletronix T4 opto-compression circuitry. This classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.
The LA-610 MkII also boasts much lower noise specs versus vintage models. Elegant and highly popular “Black on Black” cosmetics complete the package. For the serious project studio looking to ...
PreSonus DigiMax D8 8-channel Preamplifier with 48 kHz ADAT Output
Classic multichannel preamplifier.
For more than a decade, DigiMax-series preamp/converters have been relied on in countless recording studios worldwide. Based on our highly lauded XMAX Class A solid-state preamp, the DigiMax D8 has become a classic, offering eight of these prized preamps—enough to raise your entire studio rig to a higher level. And thanks to its eight-channel, 24-bit ADAT Optical output, the DigiMax D8 provides an excellent front end or expander for ADAT Optical-equipped digital-audio devices, such as our AudioBox 1818VSL, Studio 192, and Studio 192 Mobile audio/MIDI interfaces ...
The AEA Ribbon Mic Preamplifier is an ultra high-gain and impedance, minimal-path FET mic pre designed by Fred Forssell. This low-noise two-channel preamp is for ribbon, moving coil, and tube microphones that do not use or want phantom power. This allows for improvements in minimal path circuitry and also rids the unit of phantom-power blocking capacitors. Zener diodes on the input protect the input stage if external phantom power is applied.
First stage gain is set from +6 to +63 dB by a 12 position Grayhill switch. Another 20dB of gain is available after the ...
The 1969 Mercenary Edition is a new product that derives from a collaboration between two of the audio industry’s most established names, Drawmer (UK) and Mercenary Audio (USA). When Ivor Drawmer rose to the challenge of outspoken US producer/engineer ‘Fletcher’ of Mercenary Audio to build a special version of the famed Drawmer 1960 (used by Eric Clapton, Madonna, Sheryl Crow, Stevie Wonder, Bryan Adams and thousands of artists around the world) - both sides joined forces and the 1969 Mercenary Edition was born!
2 mic/line pre-amps with variable gain, 48V phantom power ...
The Universal Audio SOLO 610 delivers the classic Putnam 610 console sound to the single channel format in a rugged, highly versatile form factor, at a price every project studio can afford. The all-tube SOLO/610 provides the silky vintage warmth of the original UA 610 console used by artists ranging from Sinatra to Van Halen.
The SOLO/610 will flatter the cheapest to the most esoteric microphone with its signature sound. Unlike stationary rack gear, the SOLO/610 can be conveniently used in the control room or recording room, on stage or desktop ...
The Universal Audio 2-610 is a two-channel tube microphone preamplifier based on the legendary Universal Audio 610 modular console. Third in the Universal Audio Classics product line, the 2-610 follows the 1176LN Limiting Amplifier and Teletronix LA-2A Leveling Amplifier in our commitment to authentic analog recording technology.
Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam's studios including Universal Recording in Chicago and United Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these ...
"This is the very best channel strip in the world! I love the warmth it's adding to my DAW." - Kenny H., KY
"The Vt-737sp is ungodly, awesome, DA BOMB!" - Ian C., PA
"My Avalon Vt-737sp is AMAZING. My friend recommended it to me. I was playing some Spanish guitar on one of his records one day, and he said here's what the Avalon sounds like. I bought mine that week." - Scott V., Email
The Avalon VT-737SP features a combination of TUBE preamplifiers, opto-compressor, sweep equalizer, output level and VU ...
Analogue Hit Maker It's time to show your DAW who's boss SSL analogue channel processing for your audio workstation Pro mic preamp with line and instrument level switching Studio class EQ, Filter and Limiter sections Variable Harmonic Drive circuit - a time machine of distortion characteristics Analogue or digital outputs direct to your DAW All great sounding recordings have to start somewhere... With the classic combination of a mic preamp, filter, EQ and dynamics, the XLogic Alpha Channel brings SSL’s sonic legacy bang up to date in an analogue channel strip designed to provide the perfect front end ...
Angelically pure and versatile input section with a choice of three separate input amplifiers; Mic amp, front panel Instrument input or Line input. Designed for transparency and versatility with a set of High and Low Pass Filters, phase reverse and everything you need from a very classy workhorse.
Electronically balanced ultra high bandwidth input with -5dB to +75dB gain control & Pad switch
Continuously Variable input impedance control (1.2kOhm to 10kOhm) can accommodate signals from instruments or be adjusted to suit a wide range of microphones