Thump. The E 602 combines the latest lightweight high performance voice coil construction with a traditional large diaphragm capsule design to deliver very low bass response (down to 20Hz) and fast transient signals.
Low frequency extension and mid band attenuation produce an ultra smooth preshaped signal enabling the mic to be used without corrective EQing, even on the most problematic bass signal sources.
Frequency independent cardioid pick-up pattern ensures very high signal output before feedback and isolation from other on-stage signals.
Four Channels of Tone-Blending Preamps and 1176-Style Compression with Built-In A/D Converters
The Universal Audio 4-710d is a boutique quality, four-channel microphone/line preamplifier with unique tube and solid-state tone blending capabilities — perfect for a wide range of microphone and instrument sources. This versatile multi-channel preamp offers selectable 1176-style compression circuitry on each channel, plus four additional line inputs feeding eight channels of pristine analog-to-digital conversion. Building upon UA's classic analog design approach, combined with smart modern features, the 4-710d is the most flexible preamp in the UA lineup.
Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features—everything you need to make any kind of music.
Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.
The MK 8 has one-inch diaphragms precisely spattered with 24-carat gold. Its capsule is elastically mounted to reduce structure-borne noise. A three-position switchable filter allows the user to either eliminate any remaining low-frequency noise below 60 Hz (-18 dB/octave, low-cut position) or introduce a softer roll-off effect from 100 Hz down to compensate for the proximity effect in close miking (-6 dB/octave, roll-off position).
The MK 8 is also fitted with a switchable pad (off, -10 dB, -20 dB). A signal level reduction of -10 dB in the capsule protects the mic against excessively ...
The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.
The ORBIT O1 Orbital Boom is—in a word—revolutionary. With its proprietary ball swivel and robust build quality, surgically precise mic placement is now attainable in every recording and live performance scenario, regardless of the venue.
ORBIT 1 is equally at home when static mic placement is called for, thanks to its GLIDE PATH™ swivel housing that provides a controlled traditional boom arm motion.
The RØDE S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio-quality audio while on stage without compromising on mobility, versatility or durability.
At the heart of the S1 is a super-cardioid 3/4" true-condenser capsule tuned to virtually eliminate feedback in on-stage performance scenarios.
The combination of sophisticated internal shock mounting and a built-in high pass filter dramatically reduces undesirable low frequency background noise and handling noise.
Multiple layers of acoustically optimised steel mesh in the microphone head filter the performer's breath as well as wind and plosive noises ...
With a big, bold preamp and the flexibility of variable Silk/Texture, Rupert Neve designed the 511 to combine classic sonics with 500-series value. Incorporating the 517′s powerful preamp, the 5012′s universally useful sweepable high pass filter, and the transformer-saturating power of a variable silk circuit derived from our flagship Portico II Channel, the 511 is a Rupert Neve-designed mic-pre for the masses.
Designed for 500 Series by Mr. Rupert Neve
Rupert Neve: “While creating functional 500 series modules is relatively simple, designing those modules to equal their non-500 series counterparts with the current, voltage and space restraints is ...
Based on the Portico 5017 Mobile Pre, the 517 provides world-class transformer-coupled mic pre-amp, compressor and DI circuitry with Vari-phase, “Silk” and DI/mic blending capabilities – all in a single 500 series module.
Mic Pre and Instrument Amplifier
The 517′s mic pre – based on the TEC Award-winning Portico 5017 – provides up to 66dB of gain, polarity-reverse and phantom power switches, and the “Silk” circuit for a more vintage vibe. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.
The ART TubeOpto 8™ is the ideal Eight Channel input / output expander for any ADAT lightpipe equipped audio interface, direct-to-disc recorder or DAW. Eight high quality second generation discrete Class-A vacuum tube microphone preamps are packaged in a single rack space unit with eight channel 24-bit digital I/O.
Every input on the TubeOpto8 offers full control of the signal path with pad, phase and low frequency roll-off switches. Input gain and variable output level control of each channel allows up to 70dB of clean gain with incredible sonic transparency or for the tube ...
A lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume. The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.
Warm Audio personally like to use preamps that make the signal sound different than it did entering the pre. They like preamps that shape my tone with warmth, character and vibe. If you are looking for a preamp to improve and shape your signal you ...